
Here's a little of what Alec writes at the beginning of the piece:
I would place myself in that camp of the faithful. Like most of the industry, I too was unaware of Marra’s comics up until this year, but now after having spent time with them, I find his attitude and passion for creating engrossing, and I feel his comics represent a long forgotten aspect of the medium. Representing, of course, for the betterment of comics.Marra’s books, while lewd, grotesque and absurd, are keeping this funny book thing on the ground, balancing out the high reaching works of Craig Thompson, or whatever other clone there may be, celebrating some of the roots associated with comics while simply presenting an artist who doesn’t really give a fuck what you think. Marra’s making the shit he wants to see, and from this I feel it’s appropriate we discuss Marra’s work after our previous discussion which pertained to Rob Liefeld. Because Marra, like Liefeld, celebrates the trash entertainment value found in comics, but does so with an energy and charm that cannot be overridden. Yet, as an added bonus, Marra’s comics juxtapose the trash subject matter by presenting astounding craft and draftsmanship, making his books into these bombastic scraps slammed together with staples.
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