26 Eylül 2012 Çarşamba

LINCOLN WASHINGTON: FREE MAN! | ANALYSIS AND REVIEW

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There's a very good, lengthy analysis and review from Alec Berry and Shawn Starr of my most recent comic book LINCOLN WASHINGTON: FREE MAN! as well as my other comic book work over at the blog alec reads comics, originally posted to Spandexless.com. Check out the full post here. They get into some interesting discussions about Spiegelman Intellectualism in comics as a result from Kurtzman and EC.

Here's a little of what Alec writes at the beginning of the piece:

I would place myself in that camp of the faithful. Like most of the industry, I too was unaware of Marra’s comics up until this year, but now after having spent time with them, I find his attitude and passion for creating engrossing, and I feel his comics represent a long forgotten aspect of the medium. Representing, of course, for the betterment of comics.Marra’s books, while lewd, grotesque and absurd, are keeping this funny book thing on the ground, balancing out the high reaching works of Craig Thompson, or whatever other clone there may be, celebrating some of the roots associated with comics while simply presenting an artist who doesn’t really give a fuck what you think. Marra’s making the shit he wants to see, and from this I feel it’s appropriate we discuss Marra’s work after our previous discussion which pertained to Rob Liefeld. Because Marra, like Liefeld, celebrates the trash entertainment value found in comics, but does so with an energy and charm that cannot be overridden. Yet, as an added bonus, Marra’s comics juxtapose the trash subject matter by presenting astounding craft and draftsmanship, making his books into these bombastic scraps slammed together with staples.

REVIEW | MANDORLA BLOG

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Santiago Garcia over at his blog Mandorla gives a good survey review of my books from a European perspective of the current American underground comic book movement. Check it out here.

Here's a particularly choice passage (using Google Translator from Spanish) comparing my work to Gilbert Hernandez, whom I consider a hero and who I'm going to try to emulate as far as book production goes (I want to put out a graphic novel a year the same way Béto does it) and Frank Miller and Fletcher Hanks:

But of course, if Marra was interesting conceptual grounds alone, it would not be as great as is. His comics are full of originality and ideas, and are devilishly entertaining read. As entertaining to read as it should be any comic, but especially commercial comics. Its formula of exploitation with breeching is what Gilbert Hernandez brings more than a decade vacuuming without even remotely close to the success that gets Marra in this handful of comics. Reading Night Business one can even reecontrarse with Frank Miller as an icon of the eighties, as a child of the age of the heaters, and realize that while we wanted to ignore it for thirty years, the soundtrack of Daredevil and Elektra was a muscular sax touched by a bodybuilder blurred by smoke in the distance. Yes, exactly what Lost Boys. And the feat of being so vicious and yet maintain a comic naivete of Fletcher Hanks, is that how it is achieved? With a singular talent only.

25 Eylül 2012 Salı

CD and DVD Release show in Purvcelleville, VA!

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We are happy to announce that we will be having a screening of the documentary at The Franklin Park Barns in Purcelleville, VA on Saturday April 7th at 7 PM.

The film will be followed by a live Appalachian-Himalayan Concert with Danny Knicely, Tara Linhardt, Raj Kapoor, Manoj Mahat, and performing for the first time with The Mountain Music Project gang- bansuri master Rajan Budhathoki, who is coming down from Boston for this momentous concert!

Tickets will be only $15 and can be reserved by calling The Franklin Park Performing Arts Center at (540) 338-7973. The website for the venue is www.FranklinPArkArtsCenter.org.

Our fresh, hot off the shelves CDs and DVDs will be available for purchase for the first time there too!

FIRST 3 LINO'S FROM CHIANG MAI TRIP

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These are the first 3 lino's I've cut and printed based on the sketches from my trip to Chiang Mai, Thailand as part of the group Volunteer Positive. (And one linocut from my friend Phra Kritsada Prueprong) The first 2.5 weeks was spent in service which afforded me very little time to actually draw on my own, most of the prints from the full series were sketched out on my last week in Chiang Mai. The only 1 of these 3 lino's that was sketched during my actual service is the Elephant sketches print. We spent an afternoon at the BAAN CHANG ELEPHANT PARK in Chiang Mai where after a educational introduction to the Asian Elephants in residence we had lunch and a few minutes to digest our food before the 2-hour trek we were about tro partake in. Having not had much opportunity to do any prior sketch work, I had the foresight to bring along a few pieces of pre-cut lino and stole away for 20 minutes after lunch and did these sketches. Let it be known, elephants do not stand still, ever. It was a challenge to get a complete sketch, which explains why there are so many partial elephants in this print.

The print of the Monk is in fact a dear friend I made while in Chiang Mai. He is a 20 year old Monk named Phra Kritsada Prueprong originally from a village outside of Chiang Mai in Loei province. We were paired up as part of something called "Monk Chat" which is an event that creates the opportunity for local monks to practice their conversational skills with English speaking foreigners. On this particular morning, Kritsada and I took a tour of a few of the local temples and I decided that since he would share with me, I would share with him by having us both work on a lino sketch. I offered to take his drawing back to NYC with me where i would cut it out and print it for him. I had no idea that he could actually draw and was quite talented. It turned out to be an incredible opportunity for the both of us.

The print of the banners was from Wat Phrasingh in Chiang Mai. I'm not sure of the exact purpose of the banners, but if you look carefully, you will see representation of 3 Birth Year Animals. As there were many more banners there, I assume that's what they were there to represent.
SKETCH OF ELEPHANTS ON LINO


PARTIALLY CARVED LINO


INKED LINO



FINAL PRINT



PORTRAIT OF "DAVID" - BY KRITSADA PRUEPRONG


PORTRAIT OF KRITSADA - BY DAVID BERUBE


WAT PHRASINGH - CUT LINO



WAT PHRASINGH - FINAL PRINT

WAT CHEDI LUANG, CHIANG MAI, THAILAND

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This is one if the last, (only 2 sketches in the series left), of the series of linocut sketches I drew while in Chiang Mai, Thailand in January while doing work for the volunteer group VOLUNTEER POSITIVE.

This image was created while sitting in the shade under a tree surrounding the massive Chedi in Wat Chedi Luang.








From: Thailand For Visitors

"In its day, Wat Chedi Luang must have been the most impressive temple in Chiang Mai. Built about 600 years ago, the huge chedi which gave the temple its name (the name of the temple translates to "royal pagoda") must have soared high above the surrounding city. We say "must have" because the chedi was mostly destroyed within a few hundred years of its construction. Some say it was an earthquake in the 17th century that did the deed; others say it was King Taksin's cannons firing on the city to chase out the Burmese in the 18thcentury."


"The pagoda has been partially reconstructed, but the spire has not been recreated since nobody can be sure what it looked like."












"GOLDEN BUDDHA" - PROCESS AND PRINTS AVAILABLE FOR PURCHASE

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"GOLDEN BUDDHA"
 This is my "Golden Buddha" which is a lino-cut produced in the Chine-cole' technique. All Buddha prints available measures approximately 6" X 9" and are printed on Rives BFK 100% rag, archival quality paper, (with the exception of the gold metallic paper). There are some Buddhas on Grey Paper, others on Cream, and still others on White. Each print is being sold for $40, and is being sold in order to raise funds for a return trip to Chiang Mai, Thailand in September where I will be working with the wonderful folk at Cultural Canvas/Art Relief International. The original print of the Buddha was drawn on-site, directly on to the piece of linoleum, and then cut and printed upon my return to NYC. If you would like to see what's available, you can hit me up on Facebook and take a peek or send me a message here on Blogger.

PRINTED "GOLDEN BUDDHA"



INK LINOLEUM

 

 PLACE SWATCH OF PAPER ONTO INKED LINO, CAREFUL TO NOT SMEAR THE INK  ON TO THE SWATCH 
ADD LIGHTLY DILUTED PH NEUTRAL GLUE TO PAPER SWATCH YOU WANT ADHERED TO THE BASE PAPER AND PRINTED UPON
PLACE BASE PAPER OVER GLUED SWATCH AND INKED LINO, CAREFUL NOT TO SMEAR INK (THIS IS AN IMPORTANT PART ;0)

PRINT WITH GOLD PAPER EMBOSSED

PRINTED "GOLDEN BUDDHA"



CURRENT ARTWORK CREATED IN CHIANG MAI, THAILAND

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I'm currently in Chiang Mai, Thailand as part of my yearly exodus from NYC during my birthday month. This year, I've decided to return to Chiang Mai after having been here in January as part of the inaugural team of Volunteer Positive. My experience was so enlightening at the time and I met some wonderful people while here initially, I decided to come back on my own in order to expand on the previous experience, in order to draw, paint, explore, volunteer with Cultural Canvas/ Art Relief International, and celebrate my own life.

I will not bore you with the details of traveling on a buddy pass internationally, suffice it to say, I appreciate the $ I saved, the generosity of my friend Edie, (and the upgraded travel on the first leg of the trip to Business Class), but I did end up traveling an entire extra day. I left my apartment on Weds, September 5 at 10:30 a.m. and reached my destination at 9 a.m., Saturday the 8th. That includes an 11 hour time difference. Either way you look at it, I was a mess by the time I arrived in Chiang Mai. The initial flights 2 hour delay in NYC creating the avalanche of missed flights that followed, and being on a buddy pass meant I was rescheduled at the airlines convenience, not mine. Please note: I am not complaining about any of this, just relaying information to anyone else who might be interested in traveling internationally on a buddy pass with standby tickets.

Alas, that already seems like months past. I am now quite happily engrossed in my travels in Chiang Mai and want to use this page as a means to show the artwork I have created so far, including a couple of the drawing I did in transit.

I hope you enjoy and come back as I will be adding more images as I finish them, and then eventually as I return to NYC, scan, cut and print my new "Chiang Mai September 2012" Portfolio. I will be selling prints form this Portfolio as well as from my "Chiang Mai - January 2012" Portfolio in order to return to volunteer with Volunteer Positive in February 2013.

LEAVING NARITA FOR BANGKOK


WAT CHIANG MUN/MAN/MON

WAT  SRI SUPHAN

WAT SRI SUPHAN

WAT TAAD KHAM

WAT PAN WHAEN

WAT PRASART

WAT DOI PHRATHAT SUTHEP