Fake New York Id

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Joey New York

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Jovani New York

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Ski Area New York

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New York Dmv Written

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Anders Osborne @ Brooklyn Bowl 12/22/12

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This was Anders' last show of the year and it was a good one.  It was one long 2 hour set with a 2 song encore.  It rocked.  I loved that Scott Metzger was playing with him, he was awesome. I was happy to see Eric Bolivar on drums.  There were some others up there at times:  Charlie Musselwhite played harmonica on a few.  Nigel Hall came up and played keyboard for a couple and he sounded great.

For the encore, they first had Will Bernard and Ron Johnson join them.  They played a great Hendrix song that I can't remember right now.  Then we got a final encore with the band and 2 harmonica players.

It was awesome.

Some Cat From Japan @ Brooklyn Bowl 12/22/12

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Wow! They were losing the audience, so instead of waiting until 12:30, they went on not too long after Anders finished.  Very cool since Metzger and Bolivar were in both bands and just played a 2 hour set. 

It was awesome!  I was going to stick around because I hadn't seen them yet, but I wasn't expecting anything great.  Well, great it was.  I had an awesome time.  I slipped out during a slow song, which sounded great, I just knew it was time for me to leave.

Some Cat From Japan (ft. Nigel Hall, Scott Metzger, Will Bernard, Eric Bolivar & Ron Johnson)Some Cat From Japan is a super group that explores the music of Jimi Hendrix. The group includes bass player Ron Johnson (KDTU, Brett Dennen) guitarist Scott Metzger (RANA, Particle, American Babies, Serena Jean Band, Bustle in Your Hedgerow), guitarist Will Bernard (Stanton Moore trio, Will Bernard trio, T.J. Kirk), keyboard player and vocalist Nigel Hall (Soulive, Eric Krasno’s Chapter 2, Lettuce, the Derek Trucks & Susan Tedeschi band), and drummer Eric Bolivar (Bonerama, KDTU, Pimps of Joytime, Anders Osborne.).

Comedies For The Young @ The Stone 12/2/12

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Just look at the lineup and you already know how phenomenal it was.  I was captivated by Mathias, the only one I wasn't previously familiar with.  He had lots and lots of stuff at his percussion setup and he played all of it.  I just did another amazing workshop with Ariel & Shya Kane and I would say he was very present to know exactly what to play and when and what to do with it.  There was no thinking involved, just being.  Charlie was inspired to put his guitar down a couple of times and play one of Mathias' instruments;  a cowbell with stick one time and the bass drum another.

Scott had a drumkit, some percussion things, and some electronic boxes and he was awesome.  He played thumb piano for a bit.  Nels had his guitar and electronics and was always great.

It was all improvised, intense, and amazing.

Comedies For The Young Mathias Bossi (percussion, voice) Scott Amendola (drums, electronics, percussion) Special Guests Nels Cline (guitar, stuff) Charlie Hunter (7-string guitar)

FIRST 3 LINO'S FROM CHIANG MAI TRIP

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These are the first 3 lino's I've cut and printed based on the sketches from my trip to Chiang Mai, Thailand as part of the group Volunteer Positive. (And one linocut from my friend Phra Kritsada Prueprong) The first 2.5 weeks was spent in service which afforded me very little time to actually draw on my own, most of the prints from the full series were sketched out on my last week in Chiang Mai. The only 1 of these 3 lino's that was sketched during my actual service is the Elephant sketches print. We spent an afternoon at the BAAN CHANG ELEPHANT PARK in Chiang Mai where after a educational introduction to the Asian Elephants in residence we had lunch and a few minutes to digest our food before the 2-hour trek we were about tro partake in. Having not had much opportunity to do any prior sketch work, I had the foresight to bring along a few pieces of pre-cut lino and stole away for 20 minutes after lunch and did these sketches. Let it be known, elephants do not stand still, ever. It was a challenge to get a complete sketch, which explains why there are so many partial elephants in this print.

The print of the Monk is in fact a dear friend I made while in Chiang Mai. He is a 20 year old Monk named Phra Kritsada Prueprong originally from a village outside of Chiang Mai in Loei province. We were paired up as part of something called "Monk Chat" which is an event that creates the opportunity for local monks to practice their conversational skills with English speaking foreigners. On this particular morning, Kritsada and I took a tour of a few of the local temples and I decided that since he would share with me, I would share with him by having us both work on a lino sketch. I offered to take his drawing back to NYC with me where i would cut it out and print it for him. I had no idea that he could actually draw and was quite talented. It turned out to be an incredible opportunity for the both of us.

The print of the banners was from Wat Phrasingh in Chiang Mai. I'm not sure of the exact purpose of the banners, but if you look carefully, you will see representation of 3 Birth Year Animals. As there were many more banners there, I assume that's what they were there to represent.
SKETCH OF ELEPHANTS ON LINO


PARTIALLY CARVED LINO


INKED LINO



FINAL PRINT



PORTRAIT OF "DAVID" - BY KRITSADA PRUEPRONG


PORTRAIT OF KRITSADA - BY DAVID BERUBE


WAT PHRASINGH - CUT LINO



WAT PHRASINGH - FINAL PRINT

"NICOLAS" - Commisioned Portrait

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This is the progression of a 2-color linocut portrait I was commissioned to create for my friend Nico, (Nicolas Gerard), a gift he was pesenting to his parents in France because he doesn't get to see his family as often as he'd like to. He asked me if I'd be interested in creating a portrait of him in any medium I wanted. Just so happens I've been wanting to work on a 2-color print as I haven't in quite some time. Thanks Nico, the timing couldn't have been better. ;O)

THE FINAL IMAGE - "NICOLAS"



Step 1 - Initial Sketch on Linoleum




Step 2 - First Cut for First Color



Step 3 - First Color Printing

Step 4 - Second Cut for Second Color




Step 5 - Second Color Printed


Print of Second Color Only

Final Image - Print of Second Color On Top Of First Color

515 New York

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Japonais New York

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New York Accomodation Cheap

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I'm tired ... (a stream writing exercise)

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Today is the first day since the Blogathon started that I'm really tired. It's been a long week at work, and writing a post seems almost too laborious at this point. But instead of lying here on my bed staring at my computer with sheer exhaustion lingering in my eyes at 11pm on a Friday, I'm writing about it.

This is what the Blogathon taught me last year—no matter how tired you are, or if you think you have nothing to write about—that blog post needs to be published! No thinking, just writing. Even if you write about how tired you are, well that's something. And look, I just wrote one hundred words. They may not be the best one hundred words I've ever written, but I wrote them, and now my post is done. Exercise complete.

Photo: Juliane Riedl

Jazz & Colors @ Central Park 11/10/12

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This is a great thing.  30 bands playing the same setlist at various points all over Central Park.  The bands get a break in the middle and various soloists are scheduled at many of the points.  No sponsors, so I presume the city or Central park Conservatory or something funded it.

In addition to phenomenal music, I loved the opportunity to get to know the park a little.  I don't get there much due to proximity and crowdedness.  It also wasn't too crowded in most parts, which may not be a good thing for the festival, but there was a nice little crowd around each band I saw.

I got there a little after 1 and it had started at 12.  The format was one set 12-1:30 then a soloist portion to give the band a break and then another set 2:30-4:00.

I started at The Bob Stewart Quintet.  I could have stayed there the whole time.  It sounded so good with the horns.  I only stayed for 1-2 because I wanted to take full advantage.
Bob Stewart - tuba
Ray Anderson - trombone
Barry Altschul - drums
Alex Harding - baritone sax
Randall Haywood - trumpet

I saw a little of the Kimberly Thompson Quartet.  It was good but not a good follower to Bob Stewart.
Kimberly Thompson - drums
Essiat Essiat - bass
Craig Magnano - guitar
Dayna Stephens - sax
Carolyn Leonhart - vocal

I then got to the Naumberg Bandshell and Charnette Moffett was tuning up to do a phenomenal bass solo set.  I love him and always love his solos.  I saw his whole set and it was excellent.  He started with Caravan, playing off of pieces of it.  He was so cool how he hit the bass strings with the back of the bow.  He did some of his original compositions and some Mingus and some Blues.  He also did a cool kind of out there piece where he got the audience to play call and response with no effort on his part.  He was playing some complex stuff for us to respond to.

I took a little break after that to go to a paint store nearby to get some samples.  Next it was on to Doug Wamble Quartet.  But first I briefly caught some great music from the YES! Trio w/ Aaron Goldberg, Omer Avital, Ali Jackson, which was awesome.
Aaron Goldberg - piano
Omar Avital - bass
Ali Jackson - drums

Doug Wamble was awesome.  He sang the verse to Autumn in NY.  That was the 2wnd to last song and there was still about 1/2 hour left.  I decided to move on after that to get one more band in before the end.
Doug Wamble - Guitar, vocals
Jeff Hanley - bass
Roy Dunlap - keys
Bill Campbell - drums

I am so glad I did that.  I didn't realize Steven Bernstein was there, playing in the Joel Harrison Quartet.  I got an amazing 30 min.  Steven played regular trumpet.  They were all great.  I danced and had a great time.
Joel Harrison - guitar
Steven Bernstein - trumpet
Kenny Brooks - sax
Michael Bates - bass
George Schuller - drums

I hope this becomes a regular thing!

http://jazzandcolors.com/centralpark/

1st Setlist:

• "Straight No Chaser" - Thelonious Monk, 1951
• "Take The A Train" - Billy Strayhorn, 1939
• "Central Park West" - John Coltrane,
• "Nature Boy" - Eden Ahbez, 1947
• "Fall" - The Miles Davis Quartet, 1967
• "Autumn Serenade" - Johnny Harman / John Coltrane, 1963
• "Goodbye Pork Pie Hat" - Charles Mingus, 1959
• "Manhattan" - Rodgers and Hart, 1925
• "Blue Train" - John Coltrane, 1957

Intermission:
Featuring Jazz & Colors Rising Stars Soloist Contest Winners,

2nd Setlist:

• "Scrapple From The Apple" - Charlie Parker, 1947
• "The Blues Walk" - Clifford Brown and Max Roach, 1955
• "Body and Soul" - Louis Armstrong, 1930
• "Skating in Central Park" - John Lewis, 1959
• "Rhythm-A-Ning" - Thelonious Monk, 1957
• "Peace" - Ornette Coleman, 1959
• "Nostalgia in Times Square" - Charles Mingus, 1960
• "Autumn in New York" - Vernon Duke, 1934
• "Empire State of Mind" - Jay-Z & Alicia Keys, 2009

Phil Lesh and Friends @ Roseland 11/11/12

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A friend had an extra and when I saw Joe Russo was in it I figured "why not?".  I was going more to hang out and hope that Joe was enough to endure a tired old Dead cover band.  I was pleasantly surprised that the band was good.  I enjoyed it a lot.  Press releases said they were going to do 3 sets with a very special guest for the 3rd set each night in NYC.  I didn't know who he was, but it was nice having another guy up there.  I read later it was Stanly Jordon.  I also was just fine with the "regular band".  I actually wasn't as into that 3rd set as the other 2.  It was still good, but I didn't have a problem leaving Early, at around 11:20.

I was very happy with the Strawberry Fields cover in the 1st set.  Joe Russo was indeed phenomenal.

Personnel:
Phil, Jackie Greene, Joe Russo, John Kadlecik, Jeff Chimenti

SET 1

01. tuning
02. Alligator
03. Bird Song
04. Till The Light Comes
05. Strawberry Fields Forever
06. Franklins Tower

SET 2

07. Dweller On The Treshold
08. Doin That Rag
09. Just Another Whistle Stop
10. Althea
11. Cosmic Charlie

SET 3
with Stanley Jordan (guitar)

12. jam
13. Mountains Of The Moon
14. The Other One
15. Dark Star
16. Stairway To Heaven
17. Dark Star
18, All Along The Watchtower
19. Morning Dew
20. Dark Star

ENC:

21. crowd / donor rap
22. US Blues

Billy Martin @ Shapeshifter Lab 11/16/12

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It was a special night for Billy.  There was an art reception at 7 with a percussion show to follow at 9.  I got there at 9:30 and Billy and Calvin Weston were on stage, doing what they do so well.  They were actually my very first show at The Stone years ago and have a soft spot on my heart.  They played til about 9:50 and then Calvin left the stage and the 3 other members of Fang Percussion came to join Billy.  It was good stuff.  Billy summoned a few people from the audience with gestures to play the wine glasses with the band.  It was a great piece.  Then the extras left and Calvin came up to sit in with the band.  They did this awesome piece Billy said was inspired by Laos.  It reminded me of the Tibetan spiritual music I heard at the Brussels Musical Instrument Museum.

Next we got another Billy/Calvin duo improvisation that was as phenomenal as they all are.

After that was an awesome awesome piece inspired by the Fang Tribe of Africa.  Billy said they are amazing and he couldn't possibly replicate what they do.  It was a great piece.  After a while, he again summoned people from the audience, many people.  I would say about 20-25 were gestured to pick up an idiophone, the kind you hold in your hand and hit with a stick.  He then conducted them and it was great.

It all ended at around 10:40 and I loved it.

http://www.facebook.com/events/402820579791565/
Billy Martin presents a night of percussion and art at Shapeshifter Lab in Brooklyn, NY on Friday, November 16. Dubbed "Festival of Percussion," Martin will perform new solo, duo and chamber works. For the duet pieces he'll be joined by the great avant jazz drummer G. Calvin Weston (Ornette Coleman, John Lurie's Lounge Lizards), while his percussion ensemble, Fang Percussion, will accompany him on the chamber pieces.

In addition to the musical performances that evening, the event will serve as the opening for Billy Martin's new art exhibit. Painting under the moniker illy B, his work on canvas, paper and wood, ranging from 24 x 24" to 48 x 60" oil, oil pastel and multi-media silkscreens will be on display. The art exhibit at Shapeshifter is scheduled to run from November 16 through December 22, 2012.

Dave Liebman Quintet @ Cornelia St 11/24/12

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I got there right as they started and got a good dancing spot where I could see everything.  The music was excellent.  Sam wasn't on stage until the 2nd half of the set.  He played soprano the whole time.  Ellery and Dave were on stage the whole time.  I love Jim Black and he was as phenomenal as always.  I didn't know of the bass player before - he was great.

It was a wonderful set.  They cleared the room as they had 40 reservations for the 2nd set. I opted to go to a different show even though I could have easily stayed there for more.

David Liebman, soprano saxophone; 

Sam Newsome, soprano saxophone; 

Ellery Eskelin, tenor sax; Chris Tordini, bass; 

Jim Black, drums 

Louisian Musicians Score Big With Grammy Nominations

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From Offbeat's newsletter:
http://www.offbeat.com/

LOUISIANA MUSICIANS SCORE BIG WITH

GRAMMY NOMINATIONS
Major congrats are in order for a slew of Louisiana artists.
Hip-hop darling Frank Ocean, rapper Lil' Wayne, the venerable Dr. John, zydeco master Corey Ledet, R&B queen Ledisi, Cajun supergroup the Band Courtbouillon, funny lady Ellen DeGeneres and country music phenom Hunter Hayes scored nods Thursday, December 6 for the 55th Annual Grammy Awards, to be given out February 10, 2013 at the Staples Center in Los Angeles.

Check the lineup of nominated local talent by clicking here, and check back with OffBeat in the weeks to come for more on the honored artists.

Gerald Clayton Duos @ Jazz Gallery 11/24/12

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I had to get some shows in before they move to Midtown.  I'm gonna miss that spot.

It was a great show.  He first did a piece with Chris Dingman on vibes.  Next he had Gretchen Parlotto come up and sing - that was quite mellow.  Then he had Justin Brown come up on drums, probably my favorite piece of the set.  After that he was joined by Dayna Stephens on sax.  Then he started circling around again.  First a piece with the vibes and then one with Gretchen.  For the final piece, he invited sax, drums and Raymond Hall on bass.  It was awesome.

Gerald Clayton - piano
with
Dayna Stephens - saxophone
Chris Dingman - vibraphone
Justin Brown - drums
Plus Special Guests

Joe Lovano & Dave Douglas @ Village Vanguard 11/27/12

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It was the very first set of what I'm sure will be a stellar week of music.  I absolutely loved it.  It is a can't miss ensemble.  Joe kept referring to the group as Sound Prints.  I Iove Joey Baron more than I can say.  The whole thing was outstanding.  My favorite was the 2nd song, a very bluesy piece written by Dave.  It's a phenomenal band and I'm thinking about going again this week.

JOE LOVANO & DAVE DOUGLAS: SOUND PRINTS
Joe Lovano-sax, Dave Douglas-tpt,
Lawrence Fields-p, Linda Oh-b,
Joey Baron-d

Crystal Magnets Piano Duo @ Shapeshifter Lab 11/28/12

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I got there at 9 and they were on the 2nd piece.  I was surprised and happy and impressed to see 2 actual pianos as opposed to one piano and keyboard.  It sounded great.  The next piece was very cool.  It was called même jour, meaning same day.  It was composed by Benoit and was about how his 2 kids were born on the same day, Friday 13th, 5 years apart.  He used clothespins on the strings to make it sound very cool.  For the next piece, they both had clothes pins in different places on the strings.  Benoit took the rhythm and Andy the melody.  It sounded great and modern.  Then they took a break and told us they would play with Ethan Iverson in the next set.

After a 20 min setbreak it started with a Iverson/Delbecq improvised duo piece that was awesome.  Then Benoit and Andy traded seats and Andy and Ethan played a song.  Then it was Ethan and Benoit playing a Mal Waldron tune, "What It Is", my favorite of the night.  It grooved.  The last piece seemed to be another improvised with Andy and Ethan.  It was all well worth the schlep.

Crystal Magnets Piano Duo – Andy Milne & Benoit Delbecq
November 28th – special guest: Ethan Iverson – pianoNovember 29th – special guest: Fred Hersch – piano
November 30th – special guests: Greg Osby – alto sax & clarinet, Michael Attias – baritone sax, Vincent Chancey – french horn, Jacob Garchik – trombonewww.andymilne.comCrystal Magnets, the piano duo from two masters of contemporary improvisation, reunites Canadian Andy Milne and Frenchman Benoît Delbecq. They became friends in 1990 while studying with saxophonist Steve Coleman at The Banff Centre Jazz Workshop. Both keyboardists took Coleman’s teachings to heart, exploring distinctly different approaches to expressing their experiences through music. In 2007, they received The French-America Jazz Exchange and were commissioned by Chamber Music America to develop and record “Where is Pannonica?” [Songlines – 2009]. Milne and Delbecq returned to The Banff Centre in January 2008 to undertake this project. The scope of it grew to include extensive collaboration with Banff Centre audio engineers throughout the compositional, recording and mixing phases. Using the sonic landscape of the 5.0 surround sound format for inspiration, the music was composed in part to exploit the unique potential for placing specific compositional elements in distinct regions of the mix. The engineers created an acoustic array within each piano and analyzed the natural acoustics to define a larger array within the room, enabling Milne and Delbecq to compose for the medium and perform in harmony with their environment. The New York Times lauded the recording as a “strangely beautiful new album” from two “resourcefully contemporary pianists, both drawn to quixotic interrogations of harmony and timbre.”Although Milne and Delbecq have both created music for electronic and computer-based instruments, Crystal Magnets is primarily an acoustic piano duo, equally influenced by both pianists’ ever-expanding experiences and passions. As an innovator in improvised prepared-piano performance, Delbecq has synthesized sounds and concepts from Ligeti and Steve Lacy to Aka Pygmy music. Milne’s long association with Steve Coleman inspired his unique integration of rhythmic concepts from Cuba, Ghana, American jazz, funk and hip-hop.Their shared respect and understanding for each other’s approach to the piano and to improvisation, helped connect them in a profound, almost seamless thought process throughout their collaboration. While interpreting each other’s compositions and collaboratively developing pieces, Milne and Delbecq discovered this synchronicity and used it with great care to develop complex rhythmic, melodic and harmonic relationships involving timbre and texture, room acoustics, space, and time. In doing so, they have extended the scope of the piano duo within the jazz world.

Brother Josepheus @ Brooklyn Bowl 11/29/12

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It was a lot of fun and a great band.  It's about 9 pieces including vocalists.  I especially like it when they get funky.  I had a great time and it was good to get down.

The listing:

Brother Joscephus & the Love Revolution

• Links

Brother Joscephus and the Love Revival Revolution Orchestra is a
12-piece explosion of righteousness that blends New Orleans party
music, Soul in the style of Ray Charles and Al Green, a good helping
of jam-bandy Roots Rock and a righteous splash of good, upbeat Gospel
without the religious overtones (We like to call it secular gospel).

In the group’s short history they have already made a big splash in
the NYC music scene, sharing the stage with New Orleans stalwarts such
as the Rebirth Brass Band, Trombone Shorty, Dirty Dozen Brass Band,
Bonerama, Big Sam’s Funky Nation, the New Orleans Klezmer All-Stars
and Eric Lindell. They’ve sold out legendary venues such as the
Highline Ballroom and BB King’s.

The Revolution began expanding into other regions in April, 2009
playing 13 shows in 12 days during Jazz Fest in New Orleans. Since
then the group has performed in 10 states and developed a strong
presence in several markets up and down the eastern seaboard. Many
followers have attended recent Revivals in Vermont (Burlington
Discover Jazz Festival, Red Fox Inn), Boston (Harper’s Ferry), Long
Island (Stephen Talkhouse, Great South Bay Festival), Philadelphia,
Dewey Beach, Winston-Salem, Asheville (Bele Chere Festival), Atlanta
(Smith’s Olde Bar), Birmingham and New Orleans (Blue Nile & Tipitina’s
during VooDoo Fest).

Each BroJo tune has been meticulously arranged for the Love Revival
Revolution Orchestra: The three-piece horn section (the Shepherds of
the Wind), the gospel choir (the Voices of Reason), and the most
righteous rhythm section (the Guardians of the Groove) lay it down for
Brother Joscephus to sing about the pain, joy and wisdom that is in
his heart.

The core group is twelve pieces, but the Revolution has been known to
expand to over sixteen (adding members to the gospel choir, fiddle,
mandolin and percussion) and plans are in the works to incorporate an
entire orchestra to back up the 12-piece core.

A Love Revival with Brother Joscephus is more than just excellent
original live music. BroJo is also all about the spectacle and
pageantry - it’s a life changing EXPERIENCE! The orchestra is decked
out in their finest whites (accented with the appropriate gold, purple
and green of Mardi Gras). They break out parasols, start each set with
a parade through the audience and throw out hundreds of Mardi Gras
beads over the course of a show. When the parade starts grooving the
crowd can't help but have a good time. It's undeniable!!

Brother Joscephus' message is one of righteousness: spread as much
love as possible around, regardless of your individual beliefs, race,
age, gender, sex, sexual orientation or whatever it is you're into.
Long as you're not hurting anyone, BroJo has much love for you and
encourages you to fill the space with whatever love you got. That's
what the Love Revival Revolution is all about.

Comedies For The Young w/ Charlie Hunter & Nels Cline @ The Stone 12/2/12

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Just look at the lineup and you already know how phenomenal it was.  I was captivated by Mathias, the only one I wasn't previously familiar with.  He had lots and lots of stuff at his percussion setup and he played all of it.  I just did another amazing workshop with Ariel & Shya Kane and I would say he was very present to know exactly what to play and when and what to do with it.  There was no thinking involved, just being.  Charlie was inspired to put his guitar down a couple of times and play one of Mathias's instruments;  a cowbell with stick one time and the bass drum another.

Scott had a drumkit, some percussion things, and some electronic boxes and he was awesome.  He played thumb piano for a bit.  Nels had his guitar and electronics and was always great.

It was all improvised, intense, and amazing.

Comedies For The Young Mathias Bossi (percussion, voice) Scott Amendola (drums, electronics, percussion) Special Guests Nels Cline (guitar, stuff) Charlie Hunter (7-string guitar)

The Frame's Pushkar Fair

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Photo © AP / Rajesh Kumar Singh-All Rights Reserved

The Sacramento Bee's photo blog The Frame is featuring some 27 images of the Pushkar Fair, which started Wednesday, November 21 2012.

According to The Times of India, it kicked off "amid colorful celebrations and enthusiastic participation of foreign tourists"  and its first day highlight was a soccer match between local and tourists. This annual five-day camel and livestock fair is supposedly one of the world's largest camel fairs and has become an important tourist attraction.

You can see where I'm going with this. The Pushkar Fair, once a visually compelling event for photographers, has become a tourist attraction with all the negatives that such a description entails.

I've written up a post about the demise of the fair from a photographer's perspective in February 2007 (almost 6 years ago) saying this:

"It's absolute nonsense for serious photographers to time their stay in the town of Pushkar at the peak of the fair because it'll be full of tourists, the real camel trading occurs almost a week before the fair's announced schedule, hotels are more expensive at the height of the fair, and so on. If the idea of photographing a solitary dopey camel trader left with his final unsold scrawny camel (not to mention the gaggle of tourist-photographers who invariably will intrude in your viewfinder) excites you, go right ahead."
It seems it's gotten even worse. I haven't researched if there are any serious photo tours to Pushkar this year, but I suspect if there are any, they are very few.

Tribes of Omo Valley: OZZO Photography

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Here's a behind the scenes video of a trip to Southern Ethiopia by Icelandic photographer Oli Haukur and other team mates who visited a number of tribes in the lower Omo Valley. The video was made with a Sony RX100, a Canon 5D Mark III and an iPhone 5, while the real behind the scenes portion is shown around half way through.

I was reminded of the brutality of the traditional whipping of Hamar women preceding the jumping of the bulls ceremony, and of the sound of the switches landing on bare flesh and at seeing the wounds and bloody welts on the backs of these women. I've written a post explaining this custom in The Whipping of the Hamar.

Photo © Oli Haukur/OZZO Photography

The lower valley of the Omo is believed to have been a crossroads for thousands of years as various cultures and ethnic groups migrated around the region. The people of the Lower Valley of the Omo include the Mursi, Suri, Karo and Hamer.

Reuters Full Focus' Best of 2012

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Photo © Reuters/Rupak de Chowdhuri-All Rights Reserved

Yes, like you I did a double take when I saw this photograph on Reuters Full Focus blog as one of the photographs that made it in its Best of 2012. And yes, once again it's that time of year when every news outlet in the world decides to feature its "best" images made during the past 12 months.

Its caption tells us that it's of a Hindu devotee attending the "Chadak" ritual at Krishanadevpur village, which is north of Kolkata earlier this year, when hundreds of devotees attend the ritual to worship the Hindu deity Lord Shiva, on the last day of the Bengali calendar year. The Chadak ritual includes a number of self-mortification acts performed by devotees.

The caption also tells us the photographer was unable to check the veracity of the action of this man.

I find it very hard to believe that this is for real. The red turban is suspiciously too low on the man's neck, and there are various tricks that magicians mimic such a horrifying thing.

I've attended various rituals (such the one of the Kali workshippers in Kodungallur where they beat their forefronts with swords until blood gushes out), and I know that I'd certainly circle this devotee to photograph him back and front, and ascertain the trickery (or not). I also find it surprising that there are no other photograph of this fellow other than this one. There are photographs of other people with hooks in their backs, but none of this one.

The photographer, Rupak de Chowdhuri, a photographer with Reuters, Corbis, etc. tells us that he started taking his pictures from different angles, and tried talking to this man to get more information but he didn’t utter a word.

In any case, this is what is called a "monumental pain in the neck".

Whatever it is, the rest of the photographs are also worth a look. Some are really very good...others not so much.

The Travel Photographer's Photo Expeditions

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I thought it'd be good idea to have all my past and future photo expeditions-workshops aggregated in one location separate from my regular websites, especially as I realized (rather belatedly) that some of my older itineraries/descriptions have evaporated in the ether when I moved from one ISP to the other.

All the itineraries and details of my photo expeditions from 2007 back to 2000 (about 8 or 9) have gone "poof"! So I will have to reconstruct them from various sources, emails etc, over the course of the coming weeks.

In the meantime though, here's (work in progress) The Travel Photographer's Photo Expeditions-Workshops from late 2008 to the present, including the one scheduled for May 2013. This aggregate website has the description of each trip, and includes the links to the audio slideshows and photo galleries produced during these trips.

Thomas Cristofoletti: Once Upon A Time In Burma

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Photo © Thomas Cristofoletti-All Rights Reserved

I thought I'd feature work of Myanmar (Burma) which is rapidly becoming the must-see destination in South East Asia after its 'opening' up. I'm told that tourists are descending on this lovely country like hungry locusts over Biblical Egypt, and that hotels and flights are difficult to come by.

Ah, well...I hope the benefits accruing to the touring agencies from this surge trickle down to the people of Burma.

I thought I'd feature Thomas Cristofoletti's photographs of this magnificent country, especially as they're different from the standard travel photo portfolios of posed photographs of Lake Inle fishermen or Buddhist monks in Mandalay or Bagan. His photographs are, for the most part, unposed and natural. And his website includes well composed photography of Burmese people in Yangon's streets, on the ferries, in train stations, and on Inle Lake.

Thomas Cristofoletti is an Italian freelance photographer & videographer based in Phnom Penh, who's working in several social video & photography projects in South East Asia and Europe for international NGOs. His photographs were eatured in international magazines and newspapers, such as The Herald Tribune, The Guardian.co.uk, El Pais, Afisha Mir Travel Magazine, LaRepubblica.it, In Style Russia, and others. 

The Travel Photographer's Photo Expeditions

To contact us Click HERE

I thought it'd be good idea to have all my past and future photo expeditions-workshops aggregated in one location separate from my regular websites, especially as I realized (rather belatedly) that some of my older itineraries/descriptions have evaporated in the ether when I moved from one ISP to the other.

All the itineraries and details of my photo expeditions from 2007 back to 2000 (about 8 or 9) have gone "poof"! So I will have to reconstruct them from various sources, emails etc, over the course of the coming weeks.

In the meantime though, here's (work in progress) The Travel Photographer's Photo Expeditions-Workshops from late 2008 to the present, including the one scheduled for May 2013. This aggregate website has the description of each trip, and includes the links to the audio slideshows and photo galleries produced during these trips.

Ian Ruhter: The American Dream Project

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If I'm to believe my blog's statistics, posts dealing with photographic alternative processes are hugely popular...as popular as comparisons between the Leica M9 and the Fuji X Pro-1.

So here's one about photographer Ian Ruhter (whose website's front page describes him as an "alchemist"...I think a well deserved self accolade). He processes his large format photographs using the collodion wet plate process, a photographic process used in the 19th century. He also authors the Silver & Light Tumblr blog that has some of his images. By the way, the above video on Vimeo registered some 104,000 plays.

Ian Rihter is traveling across the United States photographing the people and places with a delivery van that he converted into a giant camera. This collodion wet plate process was the fashion during the Civil War era and creates unique images on metal plates. Each plate is hand-coated, exposed and then hand-developed. The plate becomes both the positive and the negative, so each image can only be produced once; creating a singular photograph that can't be replicated.

Photo © Ian Ruhter. All Rights Reserved

POV: The Subway Picture

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Appalling and disgusting. How else can anyone describe this? The New York Post, known for its sensationalism, and one of the rags belonging to Rupert Murdoch, has deservedly earned the opprobrium of every sentient being.

What does it have to do with travel and documentary photography? Nothing, other than it involves a so-called "freelance photojournalist", who through his action in taking this horrific picture, sullied the profession's reputation...which wasn't that stellar in the first place.

I saw a post on Facebook linking to an article published on Gawker bearing the title of Would You Have Taken The Subway Photo? asking that question to a bunch of Pulitzer-winning photographers.

I don't give a rat's ass what the Pulitzer winning photographers think, or what they would have done. Does winning the Pulizer prize bestow upon them more morality than the rest of us? This has nothing to do with taking a picture. This has to do with being a human being. And don't take me for a fool by saying that it was the duty of a photojournalist to document such an event.

I can only judge others' action by what I would have done had I been in this "photographer's" shoes.

I would've been frozen in my tracks at the horrifying scene unfolding in front of me over the course of 20 seconds...there's an infinitesimal chance that I might have run towards the man in a doomed impulse to do something...but I suspect I would've been transfixed at what I was about to witness. The last thing on my mind would've been to raise a camera and take a picture.

But let's pretend my nerves are made of steel, that I'm a hard-core photojournalist on the NYC subway beat for a while, and that I took the picture. I would have never given the picture(s) to the New York Post. Never.

But let's assume that I had to...perhaps because I'm a hardened hard-core photojournalist, or because of a contractual obligation that prevented me from deleting pictures, or because I felt the need to give them to the NYPD.  I would have refused to take a red cent for it.

But let's pretend that I lost my moral compass for a moment and took the money. I would regain it and give the money to the victim's kin to defray the burial cost, and try to cleanse my soul.

Yes, Mr R. Umar Abbasi...you need to cleanse your soul. And don't describe yourself as a "photojournalist".

As for The New York Post...you know what you are. I won't waste time telling you what you already know.

Jan Schlegel: Pain & Beauty Redux

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Photo © Jan C. Schlegel-All Rights Reserved

Oh, followers and readers of The Travel Photographer blog will like this!

Ethnophotography, traditional process, photographs made with a 4x5 field camera (Ebony SV45 Ti) on Kodak Tmax 400, and negatives developed in Kodak D76 Developer 1+1 dilution...then selenium toned. What's not to like?

"None of the people photographed wear special make-up or were specially dressed before the photos were taken. They were all captured in their own habitat — at the market, in the village square, or simply on the roadside." Jan Schlegel

Jan C. Schlegel is a German photographer, whose ethno-photographic work is in the tradition of Phil Borges.  In 1998, he began traveling throughout Asia and Africa with the objective of photographing diverse people groups and tribes, and has so far traveled to 61 countries and is still in pursuit of the beauty and diversity of the nations.

The quality of these photographs are just remarkable. His website claims that he succeeds in not only creating artistic photographs, but in documenting the uniqueness of his subjects...the people who posed for him. Absolutely.

And I have a lot of respect for a photographer who doesn't follow the fad of making demeaning portraits of Ethiopian tribal people wearing ridiculous ornaments. Speaking of ornaments, take a look at the magnificent jewelry of the Himba women...and don't miss the beautiful eyes of the Kalash women.

I had posted Jan's work some years ago here, but it seems he changed his website, and added much more work.