To contact us Click HERE
It is a phenomenal duo. This was their first time playing together although they've been talking about it for years. They picked some hard pieces and played them brilliantly. Anat played sax and clarinet. They both sat and it felt cozy and intimate. I hope they do this again.
Anat Cohen - clarinet, tenor saxophone
Romero Lubambo - guitar
Anat joins forces with the superb Brazilian guitarist Romero Lubambo. "Equally facile on electric and acoustic, Lubambo has become one of the most frequently recorded guitarists in the world..." - Mark Holston, Guitar Player magazine.
14 Ağustos 2012 Salı
Pablo Zeigler @ Birdland 7/28/12
To contact us Click HERE
I don't seem to get sick of this - I've seen Pablo Zeigler in the jazz clubs a number of times. It was nice to see it at Birdland - I've always seen him at Jazz Standard. The band included Pablo on piano, the bandoneon, contrabass, and cello. Special guest Regina Carter on violin came out a little after the halfway mark and stayed til the end. I mean, how you go back to the band without her after that? The cello was pretty amazing, though. It was highlighted during the piece that was just piano and cello.
I loved the piece that started off with the piano, bandoneon, and bass all playing the sides of their instruments as percussion. It was so cool.
It was a little longer for a jazz set, about 1 hour 20 min, which included an encore. It was fabulous!
PABLO ZIEGLER'S TANGO CONEXION- Special Guest Regina Carter
“Modern Tango mixed with Jazz and Classical”
HECTOR DEL CURTO/ Bandoneon
PEDRO GIRAUDO/ Bass
JISOO OK/Cello
“Ziegler Celebrates 20 Years of Performing in the US”
Produced by Pat Philips & Ettore Stratta
Pablo Ziegler, Argentinian born modern tango pianist and composer who performed alongside the legendary Astor Piazzolla in Argentina and around the world, went on to carry forward the master’s legacy upon his passing. Being a Composer himself, Ziegler did so with a combination of the music of Piazzolla, but also introducing his own compositions.
2012 marks 20 years of performing in the US due to his enormous talent recognized by Maestro Ettore Stratta who initially brought him to NY to record with the renowned Emmanuel Ax for Sony Music. That was the beginning of a beautiful career in the states for Ziegler who went on to be featured at Carnegie Hall in “Tango Magic” and “Tango, Passion, and Swing” for the JVC with top artists Paquito D’Rivera, Joe Lovano, and Gary Burton (produced by Stratta Philips Productions) as well as Paquito’s recent Piazzolla Tribute at Lincoln Center and much more. “Tango Meets Jazz” at the Jazz Standard ran for over 10 years where Ziegler’s quartet was featured with guest jazz greats Branford Marsalis, Regina Carter, David Sanchez, Miguel Zenon, Dave Samuels, Nestor Torres, Randy Brecker, Kenny Garrett to name a few. Considering his roots as a young man were in jazz, this was a perfect fit.
“Tango Conexion” goes further. It taps into his modern and traditional tango world, but crosses it not only with jazz but with classical – another part of Ziegler’s musical experience. Regina Carter, world renowned jazz violinist will be his special guest with whom he and his quartet will perform several numbers composed by Ziegler but not yet performed in public. Jisoo Ok on cello explores the classical sounds along with the brilliant bandoneonist Hector Del Curto and the very talented Pedro Giraudo on bass. A great artist of versatility, Ziegler will take you on a virtuosic journey weaving in and out of his music and his own arrangements of Piazzolla. ‘TANGO CONEXION’ is produced by Pat Philips and Ettore Stratta.
Pablo Ziegler’s mastery will be on view in a special concert at Central Park Summerstage in August: Lara St. John, Pablo Ziegler & Friends Celebrate the 25th Anniversary of Astor Piazzolla’s 1987 Central Park Concert in the Naumburg Bandshell.
Ziegler came to “modern tango’ when he was young, and like many other talented highly respected musicians, at first he rejected traditional tango. For them, Piazzolla was a revelation! The traditional music of Ziegler’s people is deep within him though he has chosen the path of modern tango.
I don't seem to get sick of this - I've seen Pablo Zeigler in the jazz clubs a number of times. It was nice to see it at Birdland - I've always seen him at Jazz Standard. The band included Pablo on piano, the bandoneon, contrabass, and cello. Special guest Regina Carter on violin came out a little after the halfway mark and stayed til the end. I mean, how you go back to the band without her after that? The cello was pretty amazing, though. It was highlighted during the piece that was just piano and cello.
I loved the piece that started off with the piano, bandoneon, and bass all playing the sides of their instruments as percussion. It was so cool.
It was a little longer for a jazz set, about 1 hour 20 min, which included an encore. It was fabulous!
PABLO ZIEGLER'S TANGO CONEXION- Special Guest Regina Carter
“Modern Tango mixed with Jazz and Classical”HECTOR DEL CURTO/ Bandoneon
PEDRO GIRAUDO/ Bass
JISOO OK/Cello
“Ziegler Celebrates 20 Years of Performing in the US”
Produced by Pat Philips & Ettore Stratta
Pablo Ziegler, Argentinian born modern tango pianist and composer who performed alongside the legendary Astor Piazzolla in Argentina and around the world, went on to carry forward the master’s legacy upon his passing. Being a Composer himself, Ziegler did so with a combination of the music of Piazzolla, but also introducing his own compositions.
2012 marks 20 years of performing in the US due to his enormous talent recognized by Maestro Ettore Stratta who initially brought him to NY to record with the renowned Emmanuel Ax for Sony Music. That was the beginning of a beautiful career in the states for Ziegler who went on to be featured at Carnegie Hall in “Tango Magic” and “Tango, Passion, and Swing” for the JVC with top artists Paquito D’Rivera, Joe Lovano, and Gary Burton (produced by Stratta Philips Productions) as well as Paquito’s recent Piazzolla Tribute at Lincoln Center and much more. “Tango Meets Jazz” at the Jazz Standard ran for over 10 years where Ziegler’s quartet was featured with guest jazz greats Branford Marsalis, Regina Carter, David Sanchez, Miguel Zenon, Dave Samuels, Nestor Torres, Randy Brecker, Kenny Garrett to name a few. Considering his roots as a young man were in jazz, this was a perfect fit.
“Tango Conexion” goes further. It taps into his modern and traditional tango world, but crosses it not only with jazz but with classical – another part of Ziegler’s musical experience. Regina Carter, world renowned jazz violinist will be his special guest with whom he and his quartet will perform several numbers composed by Ziegler but not yet performed in public. Jisoo Ok on cello explores the classical sounds along with the brilliant bandoneonist Hector Del Curto and the very talented Pedro Giraudo on bass. A great artist of versatility, Ziegler will take you on a virtuosic journey weaving in and out of his music and his own arrangements of Piazzolla. ‘TANGO CONEXION’ is produced by Pat Philips and Ettore Stratta.
Pablo Ziegler’s mastery will be on view in a special concert at Central Park Summerstage in August: Lara St. John, Pablo Ziegler & Friends Celebrate the 25th Anniversary of Astor Piazzolla’s 1987 Central Park Concert in the Naumburg Bandshell.
Ziegler came to “modern tango’ when he was young, and like many other talented highly respected musicians, at first he rejected traditional tango. For them, Piazzolla was a revelation! The traditional music of Ziegler’s people is deep within him though he has chosen the path of modern tango.
Bill Frisell Plays John Lennon @ LPR 8/2/12
To contact us Click HERE
It's so good to have Jenny back. She was on maternity leave. She was blown away amazing on violin. Kenny was phenomenal on drums. Tony played an electric bass, but it was a more subdued one than you might see at a rock or funk show. He was great. Bill is always amazing and his arrangements were wonderful. This was my first time seeing Greg Leisz on pedal steel guitar. I must admit I didn't notice him at all. I figure he either blended in seamlessly into the music or he was overpowered by everything else, especially the violin.
I loved the choice of songs and the arrangements were phenomenal. My absolute favorite was "Come Together", but I really love the original, which probably influenced me.
It was a wonderful show!
http://www.npr.org/event/music/158004035/bill-frisell-plays-john-lennon-live-in-concert-newport-jazz-2012
http://jazzonline.com/blogs/bill-frisell-covers-john-lennon.html
The listing:
All We Are Saying: Bill Frisell Explores the Music of John Lennon Over the years, Frisell has contributed to the work of such collaborators as Paul Motian, John Zorn, Elvis Costello, Ginger Baker, The Los Angeles Philharmonic, Suzanne Vega, Loudon Wainwright III, Van Dyke Parks, Vic Chesnutt, Rickie, Lee Jones, Ron Sexsmith, Vinicius Cantuaria, Marc Johnson (in "Bass Desires"), Ronald Shannon Jackson and Melvin Gibbs (in "Power Tools"), Marianne Faithful, John Scofield, Jan Garbarek, Lyle Mays, Vernon Reid, Julius Hemphill, Paul Bley, Wayne Horvitz, Hal Willner, Robin Holcomb, Rinde Eckert, The Frankfurt Ballet, film director Gus Van Sant, David Sanborn, David Sylvian, Petra Haden and numerous others, including Bono, Brian Eno, Jon Hassell and Daniel Lanois on the soundtrack for Wim Wenders’ film Million Dollar Hotel.
This work has established Frisell as one of the most sought-after guitar voices in contemporary music. The breadth of such performing and recording situations is a testament not only to his singular guitar conception, but his musical versatility as well. This, however, is old news by now. In recent years, it is Frisell's role as composer and band leader which has garnered him increasing notoriety.
Greg Leisz, Tony Scherr, Jenny Scheinman, & Kenny Wollesen
It's so good to have Jenny back. She was on maternity leave. She was blown away amazing on violin. Kenny was phenomenal on drums. Tony played an electric bass, but it was a more subdued one than you might see at a rock or funk show. He was great. Bill is always amazing and his arrangements were wonderful. This was my first time seeing Greg Leisz on pedal steel guitar. I must admit I didn't notice him at all. I figure he either blended in seamlessly into the music or he was overpowered by everything else, especially the violin.
I loved the choice of songs and the arrangements were phenomenal. My absolute favorite was "Come Together", but I really love the original, which probably influenced me.
It was a wonderful show!
http://www.npr.org/event/music/158004035/bill-frisell-plays-john-lennon-live-in-concert-newport-jazz-2012
http://jazzonline.com/blogs/bill-frisell-covers-john-lennon.html
The listing:
All We Are Saying: Bill Frisell Explores the Music of John Lennon Over the years, Frisell has contributed to the work of such collaborators as Paul Motian, John Zorn, Elvis Costello, Ginger Baker, The Los Angeles Philharmonic, Suzanne Vega, Loudon Wainwright III, Van Dyke Parks, Vic Chesnutt, Rickie, Lee Jones, Ron Sexsmith, Vinicius Cantuaria, Marc Johnson (in "Bass Desires"), Ronald Shannon Jackson and Melvin Gibbs (in "Power Tools"), Marianne Faithful, John Scofield, Jan Garbarek, Lyle Mays, Vernon Reid, Julius Hemphill, Paul Bley, Wayne Horvitz, Hal Willner, Robin Holcomb, Rinde Eckert, The Frankfurt Ballet, film director Gus Van Sant, David Sanborn, David Sylvian, Petra Haden and numerous others, including Bono, Brian Eno, Jon Hassell and Daniel Lanois on the soundtrack for Wim Wenders’ film Million Dollar Hotel.
This work has established Frisell as one of the most sought-after guitar voices in contemporary music. The breadth of such performing and recording situations is a testament not only to his singular guitar conception, but his musical versatility as well. This, however, is old news by now. In recent years, it is Frisell's role as composer and band leader which has garnered him increasing notoriety.
Greg Leisz, Tony Scherr, Jenny Scheinman, & Kenny Wollesen
ABRAXAS @ The Stone 8/3/12
To contact us Click HERE
We are blessed with yet another phenomenal new band. They rehearsed together a couple of times, recorded a Masada cd, and now the first live gig. You would never know - didn't this band and cd always exist? I put it up there with any other Masada project, Banquet of Spirits, and Rashanim. That means they are pretty damn good. Shanir played the gimbri, also know as sintir (Micro from Club d'Elf plays it). There was one tune that reminded me of John Zorn's The Dreamers. Eyal and Aram sounded great together. The whole thing was phenomenal.
http://www.youtube.com/watch?v=zFXja7nK5Ng
http://alarm-magazine.com/2012/review-shanir-ezra-blumenkranzs-abraxas/
Shanir Ezra Blumenkranz - ABRAXAS - John Zorn’s Masada: Book of Angels Vol. 19 — CD RELEASE CONCERT! Aram Bajakian (guitars) Eyal Maoz (guitars) Shanir Ezra Blumenkranz (gimbri) Kenny Grohowski (drums) ABRAXAS: Shanir Ezra Blumenkranz steps out on his own to make one of the most primal and tribal installments in the “Book of Angels”’ series. Drawing on his Sephardic roots, Shanir plays gimbri throughout, giving the music a primeval Moroccan edge. Featuring the intense guitar pyrotechnics of Eyal Maoz and Aram Bajakian (who recently has been tearing it up in Lou Reed’s new band) and the atavistic drumming of Kenny Grohowski, this is Ritualistic Jewish Rock for the 21st century by a brilliant young lion from the East Village via Brooklyn/Israel!
We are blessed with yet another phenomenal new band. They rehearsed together a couple of times, recorded a Masada cd, and now the first live gig. You would never know - didn't this band and cd always exist? I put it up there with any other Masada project, Banquet of Spirits, and Rashanim. That means they are pretty damn good. Shanir played the gimbri, also know as sintir (Micro from Club d'Elf plays it). There was one tune that reminded me of John Zorn's The Dreamers. Eyal and Aram sounded great together. The whole thing was phenomenal.
http://www.youtube.com/watch?v=zFXja7nK5Ng
http://alarm-magazine.com/2012/review-shanir-ezra-blumenkranzs-abraxas/
Shanir Ezra Blumenkranz - ABRAXAS - John Zorn’s Masada: Book of Angels Vol. 19 — CD RELEASE CONCERT! Aram Bajakian (guitars) Eyal Maoz (guitars) Shanir Ezra Blumenkranz (gimbri) Kenny Grohowski (drums) ABRAXAS: Shanir Ezra Blumenkranz steps out on his own to make one of the most primal and tribal installments in the “Book of Angels”’ series. Drawing on his Sephardic roots, Shanir plays gimbri throughout, giving the music a primeval Moroccan edge. Featuring the intense guitar pyrotechnics of Eyal Maoz and Aram Bajakian (who recently has been tearing it up in Lou Reed’s new band) and the atavistic drumming of Kenny Grohowski, this is Ritualistic Jewish Rock for the 21st century by a brilliant young lion from the East Village via Brooklyn/Israel!
Zion80 @ The Stone 8/6/12
To contact us Click HERE
I was able to make about 15 min of rehearsal and it was awesome. Frank London was there this time on trumpet. Yoshie Fruchter was on bass - we found out at the end he is actually a guitar player. He really laid it down on the bass. The 2 guitar players were the same as when I saw them a month ago - Jonathon Goldberger and Ty Citerman. Mathias Kunzli (who reminded me of Dafnis Prieto, probably due to his hair) was on drums. Same great conga player as the week before, Marlon Sobol. He was so awesome using hands and sticks. Tim Keiper was on percussion. There was a 2nd drumkit again, Evan Pazner. Zack Meyer was on bari as Jessica Lurie is out of town. I'm not sure of the alto is the same guy I saw last time. Rafi Makiel was on trombone. He may or may not have been the same from the other time.
Jon played during the performance - he's going to be on a couple for the album. They also added a row of chairs in front of me in between the rehearsal and performance. The horn section was rather close and I realized I was good with the 2nd row for this one. It appears they are playing the album each time, but it's still different as the people are different and the moment is different.
It was a lot of fun and very good. Everyone sat except for Yoshie the bass player. He's actually a guitar player, but I wouldn't have guessed. The horns would stand when they soloed. The solos were a whole lot of fun. I was really digging the drums. Unlike the other night I came, which was the very first night, the drums and percussion were all together in a section and it made a wonderful difference. I can't exercise yet, so I figured I shouldn't get up and dance. I sure did get my groove on in my chair, though.
There was one extra cool part, where they were improvising. Frank started just playing his mouthpiece and the rest of the horn section followed suit. I could see other parts where things got interesting with the improv.
Here's a link to the website where you can stream a show they put up on-line from the week before. There were a lot of special guests including Cyro Baptista. It's awesome!
http://zion80.com/
NEW MUSIC OBSERVATORY AT THE STONE JON MADOF’S ZION80
7:30—Open Rehearsal
9:00—Performance The latest large group project from Jon Madof (Rashanim, CircuitBreaker) features music by Rabbi Shlomo Carlebach set to arrangements inspired by Nigerian Afrobeat master Fela Anikulapo Kuti.
I was able to make about 15 min of rehearsal and it was awesome. Frank London was there this time on trumpet. Yoshie Fruchter was on bass - we found out at the end he is actually a guitar player. He really laid it down on the bass. The 2 guitar players were the same as when I saw them a month ago - Jonathon Goldberger and Ty Citerman. Mathias Kunzli (who reminded me of Dafnis Prieto, probably due to his hair) was on drums. Same great conga player as the week before, Marlon Sobol. He was so awesome using hands and sticks. Tim Keiper was on percussion. There was a 2nd drumkit again, Evan Pazner. Zack Meyer was on bari as Jessica Lurie is out of town. I'm not sure of the alto is the same guy I saw last time. Rafi Makiel was on trombone. He may or may not have been the same from the other time.
Jon played during the performance - he's going to be on a couple for the album. They also added a row of chairs in front of me in between the rehearsal and performance. The horn section was rather close and I realized I was good with the 2nd row for this one. It appears they are playing the album each time, but it's still different as the people are different and the moment is different.
It was a lot of fun and very good. Everyone sat except for Yoshie the bass player. He's actually a guitar player, but I wouldn't have guessed. The horns would stand when they soloed. The solos were a whole lot of fun. I was really digging the drums. Unlike the other night I came, which was the very first night, the drums and percussion were all together in a section and it made a wonderful difference. I can't exercise yet, so I figured I shouldn't get up and dance. I sure did get my groove on in my chair, though.
There was one extra cool part, where they were improvising. Frank started just playing his mouthpiece and the rest of the horn section followed suit. I could see other parts where things got interesting with the improv.
Here's a link to the website where you can stream a show they put up on-line from the week before. There were a lot of special guests including Cyro Baptista. It's awesome!
http://zion80.com/
NEW MUSIC OBSERVATORY AT THE STONE JON MADOF’S ZION80
7:30—Open Rehearsal
9:00—Performance The latest large group project from Jon Madof (Rashanim, CircuitBreaker) features music by Rabbi Shlomo Carlebach set to arrangements inspired by Nigerian Afrobeat master Fela Anikulapo Kuti.
Kaydol:
Kayıtlar (Atom)